Beyond the Manosphere
Masculinities Today
Presskit
Hans Eijkelboom, from the De ideale man series (detail), 1977–1982. Collection Stedelijk Museum Amsterdam
Sands Murray-Wassink, Violence and Vulgarity
(Casual is the New Serious), 2018. Courtesy of Sands Murray-Wassink and diez, Amsterdam
Solomon Garçon, Untitled (hand), 2024. Courtesy of the artist and 243 Luz, Margate
Hans Eijkelboom, from the De ideale man series (detail), 1977–1982. Collection Stedelijk Museum Amsterdam
Hans Eijkelboom, from the De ideale man series (detail), 1977–1982. Collection Stedelijk Museum Amsterdam
Hans Eijkelboom, from the De ideale man series (detail), 1977–1982. Collection Stedelijk Museum Amsterdam
Sara Sadik, Khtobtogone (video still), 2021. Commissioned by Centre national des arts plastiques (CNAP)
For If It Moves, Kiss It (2002), Lucy McKenzie drew inspiration from a mural in Stanley Kubrick’s 1971 film A Clockwork Orange, which in turn was based on Nazi artwork by Fritz Erler for the Reichshauptbank Berlin. Collection Stedelijk Museum, donation Thomas Borgmann 2016. Photo Gert Jan van Rooij. McKenzie’s mural will be reinstalled especially for the exhibition.
Amanda van Hesteren, I Want to go Higher (video still), 2023. © Amanda van Hesteren. Produced by Amanda van Hesteren & Sky Verbeek. Courtesy Amanda van Hesteren
Sands Murray-Wassink, I'm Proud of Myself !, 1996. Collection Stedelijk Museum Amsterdam
Julio Galán, Untitled, 1986. Collection Stedelijk Museum Amsterdam
Eduardo Paolozzi. Neo-Saxeiraz, 1966. Aluminum. Collection Stedelijk Museum Amsterdam, acquired in 1967.
Reba Maybury, Used Man 1974, 2021. Photo: Graysc
Sophie Calle, Young Girl’s Dream (from the series ‘Les Autobiographies’), 1992. Diptych, b/w photograph mounted on aluminium and text. Photograph: 170 x 100 cm; Text: 50 x 50 cm. Photo: Bernd Borchardt, Berlin. © Arndt & Partner, Berlin
Melle, Tuin met granaatappel, 1975, collection Stedelijk Museum Amsterdam
Bruno Zhu, Divorced, father of two. We met twice. He was seeing another man. He was not in love with him. He said I could make him do things he wouldn’t do like kissing on a first date. He said I was dangerous, and I said he was dangerous too. He liked the sound of my voice, and I liked the risk he took by listening to it. We said goodbye on the phone, one kiss after the other., c. 2022-2023. Image courtesy of the artist and What Pipeline, Detroit. Photography by Alivia Zivich.