Exhibition — Nov 20, 2021 until Apr 10, 2022

Remy Jungerman at the Stedelijk Museum: major survey of work from the last 15 years. The survey focuses on his artistic output of the last fifteen years and includes new work created specifically for the occasion.

Remy Jungerman’s sculptures, installations, panels, collages and screen-prints trace pathways of patterns from Maroon culture in Suriname, the African Diaspora, and the visual idiom of 20th-century Modernism. He is looking for an autonomous visual language by initiating a dialogue between abstract geometric patterns drawn from a multiplicity of visual traditions.

Remy Jungerman (1959) was born in Moengo, Suriname. He attended the Academy for Higher Art and Culture Education in Paramaribo and moved to Amsterdam in 1990 to complete his training at the Rietveld Academy. Jungerman's mother was of African heritage, his father of European descent. In 2005, his father died and Jungerman returned to Suriname for the funeral. While there, he also visited his mother's family altar and took part in ancestral worship rituals. Jungerman’s mother is a descendant of the Bakabusi (the people behind the forest) also known as Brooskampers. These Surinamese Maroons were led by granman (paramount chief) Broos, escaped enslavement on Dutch plantations and founded their own community in the Surinamese rainforests. Jungerman honours his indebtedness to the culture of the Maroons through the act of creating.

The exhibition’s title, Behind the Forest, is a direct reference to the Bakabusi. For which reason, Jungerman takes 2005 as the starting point for this overview of his artistic oeuvre. Jungerman draws parallels between the geometric patterns of traditional textiles indigenous to Maroon culture, and Modernism. Connecting, juxtaposing or contrasting cultures is intrinsic to his pursuit of an autonomous visual language, which deftly interweaves the cultures of the countries that define him: Suriname, the Netherlands and the United States.

Remy Jungerman, PROMISE IV, cotton textile, kaolin (pimba), tar, yarn, nails, acrylic, wood, 498 x 136 x 134 cm. 2018 – 2020 Collection Stedelijk Museum Amsterdam. Photography Aatjan Renders
Remy Jungerman, PROMISE IV, cotton textile, kaolin (pimba), tar, yarn, nails, acrylic, wood, 498 x 136 x 134 cm. 2018 – 2020 Collection Stedelijk Museum Amsterdam. Photography Aatjan Renders
  • Remy Jungerman, GUARDIAN HAVANA, cotton textile, coconut, shelfs, photo prints, bottles, gin jars, wood, 500 x 250 x 30 cm, 2009. Courtesy the artist and Galerie Ron Mandos. Photography Aatjan Renders
    Remy Jungerman, GUARDIAN HAVANA, cotton textile, coconut, shelfs, photo prints, bottles, gin jars, wood, 500 x 250 x 30 cm, 2009. Courtesy the artist and Galerie Ron Mandos. Photography Aatjan Renders
  • Remy Jungerman, VISITING DEITIES, (Horizontal Obeah GEENGESITONU I, Horizontal Obeah GEENGESITONU II, Horizontal Obeah GEENGESITONU III), cotton textile, kaolin (pimba), wood, dry river clay, nails, yarn, mirror and river.
    Remy Jungerman, VISITING DEITIES, (Horizontal Obeah GEENGESITONU I, Horizontal Obeah GEENGESITONU II, Horizontal Obeah GEENGESITONU III), cotton textile, kaolin (pimba), wood, dry river clay, nails, yarn, mirror and river.
  • Remy Jungeman, VISITING DEITIES, detail Horizontal Obeah GEENGESITONU III, cotton textile, kaolin (pimba), yarn and nails, wood, 385 x 115 x 52 cm, 2018. Kunstmuseum Den Haag – acquisition with support of Mondriaan Fonds. Photo: Aatjan Ren.
    Remy Jungeman, VISITING DEITIES, detail Horizontal Obeah GEENGESITONU III, cotton textile, kaolin (pimba), yarn and nails, wood, 385 x 115 x 52 cm, 2018. Kunstmuseum Den Haag – acquisition with support of Mondriaan Fonds. Photo: Aatjan Ren

Remy Jungerman searches for a new visual language that brings disparate cultures into conversation. With references to Maroon culture, West-African elements and Modernist aesthetics such as De Stijl and Constructivism, Jungerman challenges established art history with installations infused with his personal rhythm, imagery and influences.

— Rein Wolfs, director, Stedelijk Museum Amsterdam
Remy Jungerman, ASCENDED MASTERS, photo prints, painted paper, 199 x 121 cm, 2010. Courtesy the artist and Galerie Ron Mandos. Photography Aatjan Renders.
Remy Jungerman, ASCENDED MASTERS, photo prints, painted paper, 199 x 121 cm, 2010. Courtesy the artist and Galerie Ron Mandos. Photography Aatjan Renders.
"Remy Jungerman, NKISI RORAC, cotton textile, kaolin (pimba), shreds, gin jar, yarn, beads, tar, nails, acrylic, wood, 218 x 26 x 27,5 cm, 2021. Courtesy of the artist and Galerie Ron Mandos. Photography Aatjan Renders.
"Remy Jungerman, NKISI RORAC, cotton textile, kaolin (pimba), shreds, gin jar, yarn, beads, tar, nails, acrylic, wood, 218 x 26 x 27,5 cm, 2021. Courtesy of the artist and Galerie Ron Mandos. Photography Aatjan Renders.

Remy Jungerman is one of the Netherlands’ most important artists. Behind the Forest presents a number of key artworks produced over the past fifteen years, including the installation Visiting Deities, consisting of three large horizontals - 'bearers of the past' - above a table in a dry riverbed. Jungerman presented this installation during the 58th Venice Biennale, now once more on display at the Stedelijk. Also on view is Broos, a film composed of photographs and brief film clips Jungerman made during ancestor rituals held by descendants of the Bakabusi on the Rorac plantation in Suriname. The rhythmic arrangement of short black-and-white fragments is underscored by the composition Follow the Light by American jazz musician and composer Jason Moran.

Publication

The exhibition will be accompanied by an online publication containing more information about the artist and his work.

Audio Tour

An audio tour by the artist will be available. You can pick it up for free at the entrance of the exhibition.

Remy Jungerman, PEEPINA A4, silkscreen (Ltd Ed. of 4), 70 x 100 cm, 2011. Courtesy the artist and Galerie Ron Mandos. Photography Aatjan Renders
Remy Jungerman, PEEPINA A4, silkscreen (Ltd Ed. of 4), 70 x 100 cm, 2011. Courtesy the artist and Galerie Ron Mandos. Photography Aatjan Renders

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Remy Jungerman, Pimba AGIDA MADAFO III, cotton textile, kaolin (pimba) on wood panel, 82 x 82 cm, 2021. Courtesy the artist and Galerie Ron Mandos. Photography Aatjan Renders
Remy Jungerman, Pimba AGIDA MADAFO III, cotton textile, kaolin (pimba) on wood panel, 82 x 82 cm, 2021. Courtesy the artist and Galerie Ron Mandos. Photography Aatjan Renders
Remy Jungerman, WISE WORDS, cotton textile, kaolin (pimba), gin bottles, photo prints, tile, map, wood, 172 x 173 x 23 cm, 2010. Courtesy the artist and Galerie Ron Mandos. Photography Aatjan Renders
Remy Jungerman, WISE WORDS, cotton textile, kaolin (pimba), gin bottles, photo prints, tile, map, wood, 172 x 173 x 23 cm, 2010. Courtesy the artist and Galerie Ron Mandos. Photography Aatjan Renders

The exhibition Remy Jungerman. Behind The Forest is organised in close collaboration with the artist and is generously supported by the benefactors of the Stedelijk Museum Fonds.